20240202 音乐类直播节目导览 Online Stream Musical Events
一、丹尼尔·盖蒂指挥勋伯格、施特劳斯及瓦格纳作品 Daniele Gatti conducts Schoenberg, Strauss and Wagner
直播平台：柏林爱乐数字音乐厅 Berlin Phil Digital Concert Hall
播出时间：2024年2月3日
直播链接：https://www.digitalconcerthall.com/zh/concert/55051
在这场音乐会中，指挥丹尼尔·盖蒂指挥乐团演绎了三部后浪漫主义的作品：阿诺德·勋伯格在他的《升华之夜》中描绘了一对恋人内心狰狞的状态；理查·施特劳斯的《死与变容》映射了一个临终者的情感与愿景。音乐散发着激情——理查德·瓦格纳歌剧《特里斯坦与伊索尔德》亦是如此，他在作品中用音乐歌颂了一种在死亡中得到最终满足的爱情。除此之外，您还会在音乐会中听到这部作品的“前奏曲与爱之死”。
Daniele Gatti conducts three late Romantic works. In Transfigured Night, Arnold Schoenberg depicts the conflicted emotional state of a pair of lovers, while Richard Strauss’s Death and Transfiguration reflects the emotions and visions of a dying man. Passion transformed into music – the opera Tristan und Isolde, in which Richard Wagner celebrates a love that finds its ultimate fulfillment in death. We hear the Prelude and Liebestod.
二、基里尔·别特连科与丽莎·巴蒂亚什维利 Kirill Petrenko and Lisa Batiashvili
直播平台：柏林爱乐数字音乐厅 Berlin Phil Digital Concert Hall
播出时间：2024年 2 月 17 日
观看链接：https://www.digitalconcerthall.com/zh/concert/55052
亲密无间、热情洋溢：卡罗尔·希曼诺夫斯基的《第一小提琴协奏曲》是对小提琴家保罗·科汉斯基私密的告白。而我们的2023/24年度驻团艺术家丽莎·巴蒂亚什维利深知，如何将这部作品中的诗情画意展现出来。与之不同，理查·施特劳斯《家庭交响曲》的表达方式则十分开放明了，他以幽默诙谐的方式将他的家庭生活，包括儿童的哭闹、夫妻的争吵与和解统统公之于众。担任本场音乐会指挥的是基里尔·别特连科。
Intimate and passionate: Karol Szymanowski’s First Violin Concerto is thought to be a secret declaration of love to the violinist Paul Kochanski. Lisa Batiashvili, Artist in Residence for 2023/24, is able to reveal the poetry of this work. Richard Strauss does not depict his family life secretly but quite openly and humorously in his Symphonia domestica – including a child’s cries, a marital quarrel and reconciliation. Kirill Petrenko conducts.
三、娜塔莉·斯图茨曼指挥布鲁克纳《第九交响曲》和《感恩赞》 Nathalie Stutzmann conducts Bruckner's Symphony No. 9 and Te Deum
直播平台：medici.tv
播出时间：2024年2月12日
安东·布鲁克纳在其生命的最后十年里致力于创作《第九交响曲》，但末乐章的柔板在他于 1896 年去世时仍未完成。据传，他建议用他的《感恩赞》来代替末乐章，使交响曲从原先的 D 小调转变到 C 大调结束，对于这位信仰虔诚的作曲家而言，这会是一个合适的结束。在这场名为“荣耀之火”的音乐会中，备受赞誉的娜塔莉·斯图茨曼（她将布鲁克纳视为她最喜欢指挥的三位作曲家之一）将带领伦敦交响乐团及合唱团，与独唱家克里斯蒂娜·尼尔森、安娜·斯蒂芬尼、罗宾·特里奇勒和亚历山大·岑巴柳克演奏布鲁克纳穷其毕生功力所创作的巅峰之作。
The obsessive Anton Bruckner worked on his Ninth Symphony for the last ten years of his life, but the concluding Adagio remained unfinished at his death in 1896. He is said to have suggested that his Te Deum be used in its place—and leaving aside the tonal shift from the D-minor symphony to a C-major hymn, it feels a fitting grand finale for the famously devout composer, who dedicated his last symphony to God. In a concert billed as A Blaze of Glory, the acclaimed Nathalie Stutzmann—who counts Bruckner among her three favorite composers to conduct—leads the London Symphony Orchestra and London Symphony Chorus, joined by soloists Christina Nilsson, Anna Stéphany, Robin Tritschler, and Alexander Tsymbalyuk, in a program that represents no less than the culmination of Bruckner's life's work, a mighty and magnificent call to heaven itself.
四、伊万·费舍尔指挥勃拉姆斯作品（钢琴独奏：叶菲姆·布朗夫曼） Iván Fischer conducts Brahms — With Yefim Bronfman
直播平台：medici.tv
播出时间：2024年2月21日
两位古典音乐巨擘将与布达佩斯节日管弦乐团联手打造一个勃拉姆斯之夜：格莱美奖得主钢琴家叶菲姆·布朗夫曼和大师伊万·费舍尔，后者花了四十年的时间将布达佩斯节日管弦乐团打造成世界上最杰出的乐团之一！演出的上下半场各有一首活泼而令人难以抗拒的匈牙利舞曲，搭配一部勃拉姆斯的大型杰作：上半场是由布朗夫曼独奏的第二钢琴协奏曲，在给克拉拉·舒曼的信中，作曲家谦虚地将这部作品形容为“一首包含小巧玲珑的谐谑曲的小协奏曲”，显然他低估了此曲对后世的影响力；下半场指挥家和乐团将演奏勃氏的《D大调第二交响曲》，本是一部欢欣鼓舞、充满活力的作品，勃拉姆斯却戏谑地说此曲“如此忧郁，以至于你无法承受”。
Two classical music giants team up for an all-Brahms evening with the Budapest Festival Orchestra: Grammy-winning pianist Yefim Bronfman and maestro Iván Fischer, who has spent four decades forming the BFO into one of the world's preeminent ensembles! Each half of the program includes a lively and irresistible Hungarian Dance, plus one of Brahms's large-scale masterworks: first, with the mighty Bronfman, the monumental Piano Concerto No. 2, described self-effacingly by the composer as a "very small piano concerto with a very small and pretty scherzo" in a letter to Clara Schumann—an understatement for all time—and last, the Symphony No. 2 in D, an exultant and spirited work that Brahms cheekily called "so melancholy that you will not be able to bear it," performed with remarkable precision and stunning eloquence by Fischer and the BFO.
