音乐的魅力是音乐家创造的成果，是音乐欣赏者探求的奥秘。MUS Talks 系列讲堂旨在提供一个持续性的分享平台，邀请来自五湖四海的专家学者在此分享学术界关于当今音乐的最新动向与研究成果，传播全球化的音乐教育理念，让学生在提高艺术与学术水平的同时能从中收获触类旁通的灵感，努力践行“精于艺，博于文；志于道，成于行”的精神与理念。

MUS Talks 第二十一期，我们有幸再次邀请学院作曲理论学部助理教授、作曲家金卓晟主讲，学部虞鹏飞老师主持，与大家探讨“偏见” 中成长的现代音乐。

讲座主题：流变：“偏见” 中成长的现代音乐

语言：中文

主讲人：金卓晟

主持人：虞鹏飞

时间：2024年9月27日（周五）19:00

地点：音乐学院教学楼102阶梯教室

Theme: Evolution: The Development of Modern Music Amidst "Prejudice"

Language: Chinese

Speaker: Prof. Zhuosheng Jin

Host: Mr. Pengfei Yu

Date&Time: Sep. 27, 2024 (Fri.) 19:00

Venue: Lecture Classroom 102, Teaching Building(MUS)

讲座报名请扫描上方二维码

仅限校外访客，校内师生无须填写

讲座摘要

Abstract

本讲座以作曲家、作曲家与观众、学派和风格间四个“对立”为“点”来切入，以点成面，从不同的方面阐述音乐史（主要是近现代音乐史）中的“偏见”——它们以不同的方式存在，推进了音乐走向现代化的进程。本场讲座旨在让听众从这些关于“偏见”的趣闻中对从十九世纪末开始的音乐史发展有一个大致的了解。

This lecture takes four "oppositions"—composer vs. composer, composer vs. audience, schools, and styles—as focal points to explore and illustrate the concept of "prejudice" in music history, primarily within the context of modern and contemporary music. By examining these points, the lecture provides a broader perspective on how various forms of prejudice have existed and contributed to the modernization of music. This lecture aims to offer the audience a general understanding of the development of music history from the late 19th century onwards through intriguing anecdotes related to these "prejudices."

演讲者简介

About the Speaker

金卓晟

Zhuosheng Jin

金卓晟，现任香港中文大学（深圳）音乐学院作曲理论学部助理教授，作曲家，博士，浙江宁波人。他的音乐被形容为“有说服力，难以忘怀的。”（《纽约时报》）7岁习琴，师从郑曙星教授。曾求学中央音乐学院附中、欧柏林学院、波士顿大学和麦吉尔大学。他的作曲老师包括叶小纲、徐之彤、Philippe Leroux、Joshua Fineberg、Josh Levine和Alex Mincek等。除此之外，他也活跃于Helmut Lachenmann、Brian Ferneyhough、Beat Furrer和Marco Stroppa等人的私人课程和大师课。金卓晟博士的创作着眼于织体与音色的关系，通过不同织体间的变化和交错，达成音色上的多样性。他认为音乐创作应当有乐思与声响上的双重考虑，好的作品不但需要织体运用与曲式结构上的逻辑，更需要声响上有目的性的构建与音色上的华丽。他的创作亦多包含较深的文学背景。

金卓晟博士荣获国际大奖二十余项，他是中国内地首位Matan Givol作曲比赛和Salvatore Martirano作曲奖金奖的获得者（均为2020年）。其它荣誉包括2019年武满彻作曲赏、2021入野赏、2021 Novalis作曲奖、2021 Luba Zuk奖、2020 New Generation作曲奖、2019 John Rea奖、2017-18 Société de concerts de Montréal新兴作曲家比赛和2017 TURNmusic学院作曲奖等。同时，他两次入围I/CREATION作曲比赛终选（2018、2021），并入围2021 Appassionato Ensemble作曲比赛、2019 Breaking Music作曲比赛、2019 Lake George作曲比赛和2018 Giovannini作曲比赛的优胜名单。他的交响乐《蜃景》被选入人民音乐出版社“新时代中国交响作品原创精粹”，其它作品亦多次入围各类甄选，获得令人瞩目的成绩和业内外的一致好评。另外，他也是多个乐团的驻团作曲家及多项奖学金的获得者和候选人。

金卓晟博士的作品上演于四大洲二十五个国家。他参与的音乐节包括北京现代音乐节、广西东盟音乐周、IRCAM-Manifeste、Festival Archipel、Impuls Festival、Composit New Music Festival、Delian New Music Festival、outHear New Music Week、CEME Festival、ARCO Université和June in Buffalo New Music Festival等，并与北京交响乐团、贵阳交响乐团、浙江交响乐团、东京爱乐乐团、Klangforum Wien  (soloists)、Ensemble InterContemporain (soloists)、Ensemble MusikFabrik (soloists)、Divertimento Ensemble (soloists)、Schallfeld Ensemble (soloists)、Meitar Ensemble、Ensemble Itinéraire (soloists)、Les Métaboles、Ensemble Multilatérale (soloists)、AsianArt Ensemble、Barcelona Modern Ensemble、Quatuor Béla、Ensemble Mdi、Syntax Ensemble、Mivos Quartet、JACK Quartet以及指挥家胡咏言、林大叶、张国勇、廖元宏、阿部加奈子、Pierre-André Valade、Jean-Philippe Wurtz、Guillaume Bourgogne、Pasquale Corrado等团体和个人合作。他的乐谱已由法国出版社BabelScores代理发行，部分乐谱及音像制品也分别由人民音乐出版社和中央音乐学院出版社出版。他的文章发表于多个国际学术平台及《音乐周报》等文化期刊。

金卓晟博士以巾城为笔名的作品在多地发表，体裁包括诗、小说、散文、戏剧等。作为导演，由他编导的舞台短剧《绝期》（2008）及编导并主演的独立电影《亚当的葬礼》（2011）曾分别于中国西安和北京上映，获得热烈反响。2015年，他以策展人身份参与了由深圳画院主办的《眼与心——中国当代联觉实验艺术展》。2022年春，他参与的跨界艺术项目“field | guide”于波士顿面世，相关文本资料即将出版发行。

金卓晟博士一直致力于当代音乐的推广和教育，他是香港中文大学（深圳）音乐学院“MUS Talks”讲座系列和沙龙音乐会系列的发起人和策划人，他在国内外各大院校及音乐节上开办的音乐艺术讲座，广受好评。

Dr. Zhuosheng JIN is currently an Assistant Professor at the School of Music, The Chinese University of Hong Kong, Shenzhen. With his music described as “powerful” and “haunting” (The New York Times), Dr. JIN (b1991, Ningbo, China) is a composer, pianist, and writer. JIN’s music spans a variety of instrumentations and mediums, including orchestra, chamber, solo, and electronic. Influenced by filmmakers such as Theo Angelopoulos and Andrei Tarkovsky, JIN’s composition emphasizes relationships between literature, especially poetry, and sonic texture. In his music, the sound is always driven by its literary implications. There are particular topics setting his composition up that he often emphasizes in his music writings, including the destined loneliness of beings, identities, homesickness, love, and so on.

Dr. JIN holds degrees from Oberlin College (BM ‘15), Boston University (MM ‘17), and McGill University (DMUS ‘22). His teachers include Philippe Leroux, Joshua Fineberg, Josh Levine, Alex Mincek, and Xiaogang YE (composition), Shuxing Zheng, Robert Shannon, Webb Wiggins, and David Breitman (keyboard), Davide Ianni (electronic music), and Christoph Neidhöfer (music theory), among others. JIN also followed private lessons and master classes with Helmut Lachenmann, Brian Ferneyhough, Beat Furrer, Marco Stroppa, and Stefano Gervasoni, et al.

The awards he has won include Toru Takemitsu Composition Award (2019, 3rd prize), Matan Givol Composers Competition (2020, 1st prize), Salvatore Martirano Award (2020, 1st prize), Irino Prize (2021), Novalis International Composition Competition (2021), Luba Zuke Prize (2021), New Generation Composition Competition (2020, 3rd prize), John Rea Award (2019), Société de concerts de Montréal Emerging Composers Competition (2018), and TURNmusic Collegiate Composition Prize (2017). He has also received honorable mentions in the I/CREATION Composition Competition (2021 and 2018), Appassionato Ensemble Composition Competition (2021), Lake George Composition Competition (2019), Breaking Music Composition Contest (2019), and Giovannini Composition Competition (2018), etc. His scores are published by BabelScores.

JIN’s music has been programmed worldwide by IRCAM-Manifeste, Festival Archipel, Impuls Festival, Composit New Music Festival, Delian New Music Festival, outHear New Music Week, CEME Festival, ARCO Université, June in Buffalo New Music Festival, and Beijing Modern Music Festival, etc. He has written for the Tokyo Philharmonic Orchestra, Beijing Symphony Orchestra, Shenzhen Symphony Orchestra, Klangforum Wien (soloists), Ensemble InterContemporain (soloists), Ensemble MusikFabrik (soloists), Divertimento Ensemble (soloists), Schallfeld Ensemble (soloists), Meitar Ensemble, Les Métaboles, Ensemble Multilatérale (soloists), AsianArt Ensemble, Barcelona Modern Ensemble, Quatuor Béla, Ensemble Mdi, Syntax Ensemble, Mivos Quartet, JACK Quartet, Trio Roadrunner, and Ensemble Mise-en, etc., as well as conductors Pierre-André Valade, Jean-Philippe Wurtz, Guillaume Bourgogne, Kanako Abe, Pasquale Corrado, Yongyan Hu, Daye Lin, and Brian Liao, et al. His articles are published by major periodicals such as Music Weekly, China, etc.

JIN has also worked as an author, director, and curator. Projects include “At the Last Day” (director, screenwriter, and leading actor; short drama, 2009 made in Beijing), “Funeral of Adam” (director, screenwriter, and leading actor; film, 2012 made in Xi’an), “Eyes and Mind” (curator and sound director; art exhibition, 2015 in Shenzhen Art Academy), and “HOME” (sound artist, installation, 2017 made in Boston), “field | guide” (text, multimedia project, 2019-22 in Boston), among others. His first book of poems will be published in 2023 in Taiwan, China.

He is the founder and currently the organiser of “MUS Talks” Lecture Series and the Salon Concert Series at the School of Music, CUHK-Shenzhen. As a guest lecturer, JIN has been well-received at the University of Illinois at Urbana-Champaign, University of California Irvine, Université de Montréal, Universidad Nacional de La Plata, and several universities in China, among others.